
a play
Logline:
A brilliant but self-destructive astronomer and an inexperienced Air Force investigator are drawn into a government cover-up of staged UFOs, only to discover that the deeper deception masks a genuine nonhuman presence and a truth that will break her mind and claim his fate.
Story:
It’s 1980. Paula Brode, a brilliant astronomer wrestling with drug addiction, intercepts signals she believes originate from extraterrestrial sources. Meanwhile, the Air Force is trying to establish who is responsible for the mysterious jamming of its airwaves around the base near her observatory. Suspecting Brode may be communicating with the Russians, the Office of Special Investigations sends inexperienced agent Gage Fine to the case. He’s ordered to indulge her UFO theories by staging a UFO crash. When Brode discovers inconsistencies in Fine’s story, she confronts him, sparking a tense intellectual duel that questions the line between what is reality and who gets to control it. As her stress increases, she experiences unusual phenomena she cannot explain which shakes her confidence and deepens her dependence on drugs. Simultaneously, Fine’s search leads him to Bonanza Peak, and the underground facility there. Through dogged determination, he embeds himself within the shadowy organization that runs it. Brode soon intercepts signals from this exact group, never realizing that Fine has become part of the same secret military she is trying to expose. These transmissions reveal a direct link between the military unit and a nonhuman source, with messages hinting that the group operates beyond Earth. She tries to reveal her findings during a MUFON lecture but collapses under the pressure which the Air Force attributes to a drug-induced episode. By this time, Fine has been recruited by this troup at Bonanza Peak and encounters the truth lying at the heart of the mountain, confronting the fate that has been waiting for him.
Florida Studio Theater Literary Dept.:
The play features well-drawn, fully developed characters with compelling arcs, particularly Brode’s gradual unraveling as her understanding of reality begins to fall apart. The relationships between the characters, particularly the history and tension between Hera and Brode, add emotional depth and complexity to the story. Its intriguing premise and unexpected plot twists keep the audience engaged while raising thought-provoking questions about reality and who controls it; strong pacing and fluid storytelling are complemented by well-researched military terminology that adds credibility to the world of the play.

a play
Thirty-eight-year-old Pyotr Ilych Tchaikovsky is driven to become Russia’s first international composer but he is moving into middle-age and gossip around Moscow is that he is a notorious homosexual. He needs a wife. As if by fate, two women come into his life: Nadezdha Von Meck, a fabulously wealthy dowager and Antonina Milyukova, an assertive, unbalanced seamstress. Von Meck befriends Tchaikovsky via elaborately written letters. She eventually offers to pay his all his expenses on one condition - they never meet. Antonina, also sends him over-the-top love letters letting him know that she is a virgin and that she has saved herself for him. Tchaikovsky takes advantage of Antonina’s naiveite and inexperience and marries her. The marriage is a fiasco. Tchaikovsky flees Russia fearing more gossip but Antonina is not as naïve as he thinks and threatens to expose Tchaikovsky. With the patient, nurturing love of Von Meck, he comes to grips with his homosexuality and realizes his true nature.
* Semi-Finalist in Bay Area Playwrights Festival
Playwrights Foundation enthusiastically recommends this play THE TCHAIKOVSKY LETTERS, as a Semi-Finalist for the Bay Area Playwrights Festival 2020. We were moved by the quality of the writing and the relevant and compelling themes that spoke to the mission of our festival. It excelled in a competitive process of 735 plays submitted this year and rose to the top after a six month long process discussing its merits with both national and local Bay Area readers, and we hope it moves swiftly towards production.
My gosh. I literally read hundreds of scripts per year, plus work on my own scripts, so I'm serious when I ask you — how is this not already being produced today in a major theatre? Or, in my opinion, in a film studio? I thoroughly enjoyed reading your work. You've accomplished so much with the way you downplay the set and additional fanfare and keep the focus on these incredible relationships. And you did so many clever things with the blocking without telling us how to produce it... I'm not even sure where to start with my appreciation for this wonderful story. - Southwest Theater and Film Productions.

an original musical
Paul Jennings, the 15-year-old house slave to President and Mrs. Madison, discovers his true heroism, strength and purpose, living through one of the most momentous event in the nation’s history -
The Burning of the White House.
Book by Colin Speer Crowley
and Norman L. Berman
Music by Norman L. Berman
Lyrics by Colin Speer Crowley
Click below to listen to our opening number:
https://www.youtube.com/watch?v=ny4vuDeu30Q&list=RDny4vuDeu30Q